Arama Sonuçları

Midnight in Paris Fragmanı

Farklı bir yapım izlemeli baya olmuştu dimi sinema sevenler. Gerçekten güzel ve farklı bir film için kamera karşısına çıkan sinema oyuncuları gerçekten diğer filmlerden farklı kılan konusu ve çekilme mantığı olacağını söylemek istiyoruz, herkes bu fragmanı bekliyordu ve işte o fragman yayınlandı;

Midnight in Paris Fragmanı
Ekleyen: Sinemadevri
Kategori: Sinema Haberleri
Eklenme Tarihi: 30 Mart 2011
Yorum: Yorum Yok

Taylor Nichols

Sanatçı bilgileri

Adı / Soyadı: Taylor Nichols
Ülkesi: ABD
Doğum Tarihi: 03-03-1959
Mesleği:
Videoları: Taylor Nichols Videoları

Filmografi

High Midnight
Marilyn Ve Ben
Headless Body in Topless Bar
Serpent’s Lair
Barcelona

Biyografi

High Midnight

Marilyn Ve Ben

Headless Body in Topless Bar

Serpent’s Lair

Barcelona

Taylor Nichols
Ekleyen: Sinemadevri
Kategori: Genel
Eklenme Tarihi: 12 Ocak 2010
Yorum: Yorum Yok

Kevin Weisman

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Adı / Soyadı: Kevin Weisman
Ülkesi: ABD
Doğum Tarihi: 29-12-1970
Mesleği:
Videoları: Kevin Weisman Videoları

Filmografi

High Midnight
Tezgahtarlar II
More Dogs Than Bones
Beverly Hills Family Robinson

Biyografi

High Midnight

Tezgahtarlar II

More Dogs Than Bones

Beverly Hills Family Robinson

Kevin Weisman
Ekleyen: Sinemadevri
Kategori: Genel
Eklenme Tarihi: 12 Ocak 2010
Yorum: Yorum Yok

Emilio Rivera

Sanatçı bilgileri

Adı / Soyadı: Emilio Rivera
Ülkesi: ABD
Doğum Tarihi: 24-02-1961
Mesleği:
Videoları: Emilio Rivera Videoları

Filmografi

Next Day Air
High Midnight
Acımasız Hayat
intikam Uğruna (2004)
Collateral

Biyografi

Next Day Air

High Midnight

Acımasız Hayat

intikam Uğruna (2004)

Collateral

Emilio Rivera
Ekleyen: Sinemadevri
Kategori: Genel
Eklenme Tarihi: 27 Aralık 2009
Yorum: Yorum Yok

Jerry Fielding

Sanatçı bilgileri

Adı / Soyadı: Jerry Fielding
Ülkesi: ABD
Doğum Tarihi: 17-06-1922
Mesleği:
Videoları: Jerry Fielding Videoları

Filmografi

Funeral Home
High Midnight (ı)
Alcatraz’dan Kaçış
Büyük Uyku
Semi-tough

Biyografi

Funeral Home

High Midnight (ı)

Alcatraz’dan Kaçış

Büyük Uyku

Semi-tough

Jerry Fielding
Ekleyen: Sinemadevri
Kategori: Genel
Eklenme Tarihi: 7 Kasım 2009
Yorum: Yorum Yok

Nora Roberts

Sanatçı bilgileri

Adı / Soyadı: Nora Roberts
Ülkesi: ABD
Doğum Tarihi: 10-10-1950
Mesleği:
Videoları: Nora Roberts Videoları

Filmografi

Northern Lights
Tribute (I)
High Noon (ı)
Midnight Bayou
Kayıp Sırlar

Biyografi

Northern Lights

Tribute (I)

High Noon (ı)

Midnight Bayou

Kayıp Sırlar

Nora Roberts
Ekleyen: Sinemadevri
Kategori: Genel
Eklenme Tarihi: 10 Nisan 2010
Yorum: Yorum Yok

Henry Mancini

Sanatçı bilgileri

Adı / Soyadı: Henry Mancini
Ülkesi: ABD
Doğum Tarihi: 16-04-1924
Mesleği:
Videoları: Henry Mancini Videoları

Filmografi

Tom Ve Jerry
Hayalet Baba
Skin Deep
Without A Clue
The Glass Menagerie

Biyografi

Henry Mancini,asıl adı Enrico Nicola Mancini. (16 Nisan 1924, Cleveland, Ohio – 14 Haziran1994, Los Angeles, California). ABD’li besteci ve aranjör.Çok sayıda televizyon ve film müziği yapan besteci, 1995 yılında aldığı Grammy ömür boyu başarı ödülü dahil pek çok ödüle sahiptir. Aralarında Peter Gunn, Midnight Cowboy (Geceyarısı Kovboyu), A Hard Day’s Night, The Good, the Bad and the Ugly (İyi, Kötü ve Çirkin), Pink Panther ( Pembe Panter ), Breakfast at Tiffany’s (Tiffany’de Kahvaltı) ‘nin de bulunduğu pek çok klasikleşmiş ve müzikleriyle akıllarda yer edinmiş filmin bestecisidir. 70 yaşında pankreas kanserinden ölmüştür.Bazı şarkıları:Peter Gunn (Sözler: Ray Evans ve Jay Livingston) Peter Gunn theme Bye Bye The Brothers Go to Mother’s Dreamsville’ Blues for Mother’s Sorta Blue Slow and Easy The Richard Boone Show (Sözler: Al Stillman) How Soon Man’s Favorite Sport (Sözler: Johnny Mercer) (1963) I Love You and Don’t You Forget It (1963) (Sözler: Al Stillman) Remington Steele Theme (1963)Müziklerini yaptığı filmler:Breakfast at Tiffany’s (Yönetmen: Blake Edwards, Oyuncular: Audrey Hepburn, George Peppard) (1961) Moon River (Sözler: Johnny Mercer) Charade (Yönetmen: Stanley Donen, Oyuncular: Cary Grant, Audrey Hepburn) (1963) Charade Soldier in the Rain (1963) The Pink Panther (Yönetmen: Blake Edwards, Oyuncular: David Niven, Peter Sellers) (1963) Theme It Had Better Be Tonight (Sözler: Johnny Mercer) Dear Heart (1964) Dear Heart A Shot in the Dark (1964) (Yönetmen: Blake Edwards, Oyuncular: Peter Sellers, Elke Sommer) Moment to Moment (1965) ‘Moment to Moment’ (Sözler: Johnny Mercer) The Great Race (1966) Arabesque (1966) What Did You Do in the War, Daddy? (1966) In the Arms of Love (Sözler: Jay Livingston and Ray Evans) Two for the Road (1967) Two for the Road Wait Until Dark (1967) Wait Until Dark The Party (1968) (Yönetmen: Blake Edwards, Oyuncular:Peter Sellers) Nothing to Lose (sung by Claudine Longet) Me, Natalie Gaily, Gaily The Molly Maguires Sunflower (1970) Loss of Love (Sözler: Bob Merrill) Darling Lili (Sözler: Johnny Mercer) I’ll Give You Three Guesses Darling Lili The Hawaiians The Night Visitor Hatari! Baby Elephant Walk Experiment in Terror Days of Wine and Roses Days of Wine and Roses High Time Bachelor in Paradise The Great Impostor Mr. Hobbs Takes a Vacation Peanuts theme – (genellikle Mancini’ye atfedilir, ama aslında Vince Guaraldi tarafından bestelenmiştir.)

Henry Mancini
Ekleyen: Sinemadevri
Kategori: Sanatçılar
Eklenme Tarihi: 3 Mayıs 2009
Yorum: Yorum Yok

John Waters

Sanatçı bilgileri

Adı / Soyadı: John Waters
Ülkesi: ABD
Doğum Tarihi: 22-04-1946
Mesleği: Oyuncu
Videoları: John Waters Videoları

Filmografi

Guest Of Cindy Sherman
Hairspray
Şu Boktan Dünya
Inside Deep Throat
Bebek

Biyografi

From All Movie Guide: Of all the dubious titles awarded him — ‘The Sultan of Sleaze,’ ‘The Baron of Bad Taste,’ and so forth — filmmaker John Waters prefers ‘The Pope of Trash.’ Born in Baltimore to an upper-middle-class Catholic family, Waters has always been fascinated (obsessed, actually) with violence and gore. He claims that the biggest rush of his childhood occurred when he found dried blood on the squashed remains of a derelict automobile (he also claims to have used binoculars to watch X-rated movies at his local drive-in). For his 17th birthday, Waters was given an 8mm camera. Wasting no time, he gathered together a group of his like-minded chums — including obese high-school classmate Harris Milstead, better known as female impersonator Divine — into a repertory troupe called the Dreamland Players, then began churning out his own films. Unlike other teenaged amateurs whose first films consist of warmed-over Godzilla movies and stop-motion GI Joe dolls, Waters’ oeuvre was the basest, most vomit-inducing form of poor taste. His avowed purpose in life was to smash every middle-class value that his uptight Baltimore brethren held dear. After completing such early short-subject gems as Hag in a Black Leather Jacket and Eat Your Makeup!, Waters would screen his films in rented church basements, heralding their showings by blanketing the town with mimeographed invitations. Borrowing 2,000 dollars from his father, Waters put together his first feature film, Mondo Trasho, in 1969 — and was arrested on the eve of its premiere on a charge of ‘conspiracy to commit indecent exposure’ (say what?). As in all of his films, Mondo Trasho pokes fun at its offensiveness even while wallowing in it. In 1972, Waters outdid himself with his midnight-movie masterpiece Pink Flamingos (lensed on a reported budget of 10,000 dollars), wherein faithful Dreamland players Divine, Mink Stole, and David Lochary vie for the title of ‘World’s Filthiest Person’ (Divine wins by a mile and a furlong by ingesting a handful of doggy doo-doo). The film went on to become known as one of the most revolting movies of all time, as well as a timeless cult classic. Waters finally got into first-run theaters with Polyester (1981), which not only featured a mainstream actor (Tab Hunter) but revived the old promotional trick of handing out scratch-‘n’-sniff cards to the patrons. The director then backed off from filmmaking for about six years, writing witty, perceptive articles for such publications as National Lampoon and teaching courses in film humor to prison inmates. He returned with Hairspray (1988), a 1950s piece set in Baltimore which, despite Waters’ claim that he prides himself in the fact that his work has ‘no socially redeeming value,’ carries a strong and well-articulated plea for racial tolerance (Waters’ star in Hairspray was future talk show host Ricki Lake, who played Divine’s daughter). With the exception of Mink Stole, most of Waters’ stock company have vanished from his later films; in their stead are such pop-culture icons as Johnny Depp, Pia Zadora, Deborah Harry, Troy Donahue, Iggy Pop, Sonny Bono, and even Patty Hearst, whom Waters once described as ‘The Lindbergh Baby who lived.’ Indeed, the director had even managed to accumulate enough respectability over the years that his 1994 Serial Mom starred no less than Kathleen Turner. Though comparatively highly budgeted, the film displays the same energetic, class-clown tackiness as Waters’ earliest, cheapest films. His next effort, the 1998 film Pecker, brought him a little further into the mainstream — or at least into respectable arthouses everywhere. The story of a young Baltimore photographer (Edward Furlong) who becomes a reluctant art-world darling, Pecker managed to be surprisingly sweet while retaining the usual Waters trademarks, such as amiable dysfunction, public copulation, and casually graphic shots of genitalia. The film premiered at the Toronto Film Festival and went on to win wide praise. The praise leveled at the film mirrored the director’s real-life ascent into relative respectability: although he continued to dress and comport himself like a potential child molester, Waters matriculated from ‘fringie’ to one of Baltimore’s leading citizens. When audiences learned that Waters’ next project was to be a film concerning a renegade director who kidnaps a top Hollywood starlet in order to force her to act in his latest feature, advance word no doubt had audiences recalling such Waters classics as Multiple Maniacs. Edgier than Pecker but lacking the sharp satire of Serial Mom (and sadly lacking the sleazy-listening tunes that highlighted his early efforts), Cecil B. Demented ultimately fell somewhere in the middle of trash cinema purgatory; though it certainly spat in the face of traditional mainstream cinema values, it still wasn’t quite outrageous enough to be truly effective. While Cecil B. Demented may not have been the film that once again found Waters winning back his ‘Prince of Puke’ crown (that award would likely have gone to Takashi Miike at that point) it was never dull and certainly showed that the spark was still there and that Waters still had a few tricks up his sleeve. For his next effort, entitled A Dirty Shame, Waters rounded up an impressive cast that included the likes of Tracey Ullman, Johnny Knoxville, Chris Isaak, and Selma Blair. The wit, wisdom, and philosophy of John Waters has been distilled in his books Shock Value: A Tasteful Book About Bad Taste (1981) and Crackpot: The Obsession of John Waters (1986). Furthermore, those wanting additional insight into the director’s outlook would do well to check out Divine Trash, the acclaimed 1998 documentary about Waters’ life. ~ Hal Erickson, All Movie Guide

John Waters
Ekleyen: Sinemadevri
Kategori: Sanatçılar
Eklenme Tarihi: 3 Mayıs 2009
Yorum: Yorum Yok
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