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Then She Found Me

Film bilgileri

Film ‘in Adı: Then She Found Me
Tür: Dram / Komedi / Romantik
Yönetmen: Helen Hunt
Görüntü Yönetmeni: Peter Donahue
Senaryo: Alice Arlen, Victor Levin, Elinor Lipman (Kitap)
Oyuncular: Matthew Broderick, Ben Shenkman, Helen Hunt, Colin Firth, Bette Midler, Lynn Cohen
Yapım: 2007, ABD
Yapımcı: Helen Hunt
Muzik: David Mansfield
Film Süresi: 1 saat, 40 dk.


Film görüntüleri ve Film fragmanı

Then She Found Me
Ekleyen: Sinemadevri
Kategori: Romantik
Eklenme Tarihi: 23 Ekim 2008
Yorum: Yorum Yok

Ben Shenkman

Sanatçı bilgileri

Adı / Soyadı: Ben Shenkman
Ülkesi: ABD
Doğum Tarihi: 26-09-1968
Mesleği: Oyuncu
Videoları: Ben Shenkman Videoları

Filmografi

Then She Found Me
Cennet Gibi
Angels in America
Kişisel Sürat
Düzenbaz Roger

Biyografi

Then She Found Me

Cennet Gibi

Angels in America

Kişisel Sürat

Düzenbaz Roger

Ben Shenkman
Ekleyen: Sinemadevri
Kategori: Sanatçılar
Eklenme Tarihi: 3 Mayıs 2009
Yorum: Yorum Yok

Helen Hunt

Sanatçı bilgileri

Adı / Soyadı: Helen Hunt
Ülkesi: ABD
Doğum Tarihi: 15-06-1963
Mesleği:
Videoları: Helen Hunt Videoları

Filmografi

Then She Found Me
Bobby
Gizemli Kasaba(2005)
Empire Falls
Gizemli Kadın

Biyografi

Gerçek Adı: Helen Elizabeth Hunt Doğum Yeri: Culver City, California Doğum Tarihi: 15.06.1963Boy : 1.73 mOnu Ünlü Yapan Ne? NBC’nin haftalık komedi dizisi Mad About You ‘daki Jamie Buchman rolüÖdüllerinden Bazıları: 1993: Altın Küre: Bir TV Dizisinde En İyi Kadın Oyuncu (müzikal ya da komedi): Mad About You1994: Altın Küre: Bir TV Dizisinde En İyi Kadın Oyuncu (müzikal ya da komedi): Mad About You1994: Screen Actors Guild Ödülü: Bir Komedi Dizisinde Muhteşem Performans Gösteren Kadın Oyuncu, Mad About You1994: Amerikan Komedi Ödülü: Bir TV Dizisindeki En Komik Kadın Oyuncu, Mad About You1995: Amerikan Komedi Ödülü: Bir TV Dizisindeki En Komik Kadın Oyuncu, Mad About You1996: Emmy: Bir Komedi Dizisindeki Muhteşem Kadın Başrol Oyuncusu, Mad About You1996: Altın Küre: Bir TV Dizisinde En İyi Kadın Oyuncu (müzikal ya da komedi): Mad About You1997: Emmy: Bir Komedi Dizisindeki Muhteşem Kadın Başrol Oyuncusu, Mad About You1997: Altın Küre: Bir Sinema Filminde En İyi Kadın Oyuncu (müzikal ya da komedi): As Good As It Gets1997: Altın Uydu: Bir Sinema Filminde En İyi Kadın Oyuncu (müzikal ya da komedi): As Good As It Gets1997: The Actor: Bir Başrolde Muhteşem Performans Gösteren Kadın Oyuncu, As Good As It Gets1997 – Oskar – En İyi Kadın Oyuncu: As Good As It Gets1998: Emmy: Bir Komedi Dizisindeki Muhteşem Kadın Başrol Oyuncusu, Mad About You1998: ShoWest: Yılın Kadın Oyuncusu1998: Amerikan Komedi Ödülü: Bir Sinema Filmindeki En Komik Kadın Oyuncu, As Good As It Gets1998: Halkın Tercihi Ödülü: TV’nun Favori Kadın Oyuncusu1998 – Oskar – En İyi Kadın Oyuncu: As Good As It GetsEğitim: – Çocukken Lurene Tuttle’dan oyunculuk dersleri aldı – California Üniversitesi, Los Angeles (kısa süre okudu)Meraklısına… People Dergisi tarafından 1998’de dünyanın en güzel 50 insanı arasında gösterildi. En iyi arkadaşı Helen Slater

Helen Hunt
Ekleyen: Sinemadevri
Kategori: Sanatçılar
Eklenme Tarihi: 3 Mayıs 2009
Yorum: Yorum Yok

Matthew Broderick

Sanatçı bilgileri

Adı / Soyadı: Matthew Broderick
Ülkesi: ABD
Doğum Tarihi: 21-03-1962
Mesleği: Oyuncu
Videoları: Matthew Broderick Videoları

Filmografi

Finding Amanda
Despero
Diminished Capacity
Arı Filmi
Then She Found Me

Biyografi

Broderickin ilk çalışması HB Studioda çekilen Footenin arkadaşını oynadığı Horton Foote’nin oyunu On Valentine’s Day oldu. Daha sonra yer aldığı tiyatro oyunlarıyla eleştirmenler tarafından beğenildi. Daha sonra Broderick Eugene Morris Jerome rolünü iki Neil Simon oyununda yani Brighton Beach Memoirs ve Biloxi Blues rol aldı. Bu ikisi birlikte Eugone Trilogy diye anılmaktadır. Kendisinin ilk sinema filmi rolü de yine Neil Simon tarafından yazılmışdır. Max Dugan Returns (1983) isimli sinema filmiyle ilk çıkışını yaptı. Kendisinin ilk hit filmi WarGames isimli 1983 yaz hitiydi. Ladyhawke, isimli bir devam filmi de geldi. Ancak Broderick NBC Sitcomunda rol almak istemesinin yanı sıra 1986 yılında John Hughesin Ferris Bueller’s Day Off isimli filmiyle büyük çıkışını yaptı ve ünlendi. Kendisi 20li yaşlarında olmasına rağmen filmde bir yüksek okul öğrencisini canlandırıyordu, ki kendisinin canlandırdığı Ferris Bueller karakteri daha sonra bir gün okuldan yine kaçacak ancak bu sefer en yakın arkadaşı ve sevgilisi ile birlikte Chicagoyu keşf edecektir. Film hala bir çok kişi tarafından 1980li yılların en iyi komedi filmi olarak kalmaktadır. 1989 yılında Shes Got a Baby filminde yine Ferris Buelleri kısa olarak oynadı. 1989 yılında Amerikan Savaş Kahramanı Robert Gould Shawı Glory isimli filminde canlandırdı ve eleştirmenler tarafından beğenildi.
1990lı yıllarda Disneyin animasyon hiti ve daha sonra iki devam filmi çekilmiş filmi The Lion Kingde genç Simba karakterini seslendirerek kariyerinde önemli bir nokta oldu kendisinin. Daha sonra Jim Carrey ile The Cable Guy isimli kara komedi, ve yine başka bir kara komedi olan The Electrician filminde yer aldı.
1990lı yıllarda yine tiyatro oyunlarında yer alarak, Tony Ödülü aldı. Ve 2001 yılında The Producers isimli Mel Brooks isimli müzikal oyunda Tony Ödülü adayı oldu. 2005 yılında bu oyunun sinema versiyonu The Producersde (aynı isimle) Leopold “Leo” Bloom karakterini canlandırdı. Bu filmde kendisi bir çok şarkıyı kendisi ve ya diğer oyuncularla birlikte seslendirdi.

Matthew Broderick
Ekleyen: Sinemadevri
Kategori: Sanatçılar
Eklenme Tarihi: 3 Mayıs 2009
Yorum: Yorum Yok

John Waters

Sanatçı bilgileri

Adı / Soyadı: John Waters
Ülkesi: ABD
Doğum Tarihi: 22-04-1946
Mesleği: Oyuncu
Videoları: John Waters Videoları

Filmografi

Guest Of Cindy Sherman
Hairspray
Şu Boktan Dünya
Inside Deep Throat
Bebek

Biyografi

From All Movie Guide: Of all the dubious titles awarded him — ‘The Sultan of Sleaze,’ ‘The Baron of Bad Taste,’ and so forth — filmmaker John Waters prefers ‘The Pope of Trash.’ Born in Baltimore to an upper-middle-class Catholic family, Waters has always been fascinated (obsessed, actually) with violence and gore. He claims that the biggest rush of his childhood occurred when he found dried blood on the squashed remains of a derelict automobile (he also claims to have used binoculars to watch X-rated movies at his local drive-in). For his 17th birthday, Waters was given an 8mm camera. Wasting no time, he gathered together a group of his like-minded chums — including obese high-school classmate Harris Milstead, better known as female impersonator Divine — into a repertory troupe called the Dreamland Players, then began churning out his own films. Unlike other teenaged amateurs whose first films consist of warmed-over Godzilla movies and stop-motion GI Joe dolls, Waters’ oeuvre was the basest, most vomit-inducing form of poor taste. His avowed purpose in life was to smash every middle-class value that his uptight Baltimore brethren held dear. After completing such early short-subject gems as Hag in a Black Leather Jacket and Eat Your Makeup!, Waters would screen his films in rented church basements, heralding their showings by blanketing the town with mimeographed invitations. Borrowing 2,000 dollars from his father, Waters put together his first feature film, Mondo Trasho, in 1969 — and was arrested on the eve of its premiere on a charge of ‘conspiracy to commit indecent exposure’ (say what?). As in all of his films, Mondo Trasho pokes fun at its offensiveness even while wallowing in it. In 1972, Waters outdid himself with his midnight-movie masterpiece Pink Flamingos (lensed on a reported budget of 10,000 dollars), wherein faithful Dreamland players Divine, Mink Stole, and David Lochary vie for the title of ‘World’s Filthiest Person’ (Divine wins by a mile and a furlong by ingesting a handful of doggy doo-doo). The film went on to become known as one of the most revolting movies of all time, as well as a timeless cult classic. Waters finally got into first-run theaters with Polyester (1981), which not only featured a mainstream actor (Tab Hunter) but revived the old promotional trick of handing out scratch-‘n’-sniff cards to the patrons. The director then backed off from filmmaking for about six years, writing witty, perceptive articles for such publications as National Lampoon and teaching courses in film humor to prison inmates. He returned with Hairspray (1988), a 1950s piece set in Baltimore which, despite Waters’ claim that he prides himself in the fact that his work has ‘no socially redeeming value,’ carries a strong and well-articulated plea for racial tolerance (Waters’ star in Hairspray was future talk show host Ricki Lake, who played Divine’s daughter). With the exception of Mink Stole, most of Waters’ stock company have vanished from his later films; in their stead are such pop-culture icons as Johnny Depp, Pia Zadora, Deborah Harry, Troy Donahue, Iggy Pop, Sonny Bono, and even Patty Hearst, whom Waters once described as ‘The Lindbergh Baby who lived.’ Indeed, the director had even managed to accumulate enough respectability over the years that his 1994 Serial Mom starred no less than Kathleen Turner. Though comparatively highly budgeted, the film displays the same energetic, class-clown tackiness as Waters’ earliest, cheapest films. His next effort, the 1998 film Pecker, brought him a little further into the mainstream — or at least into respectable arthouses everywhere. The story of a young Baltimore photographer (Edward Furlong) who becomes a reluctant art-world darling, Pecker managed to be surprisingly sweet while retaining the usual Waters trademarks, such as amiable dysfunction, public copulation, and casually graphic shots of genitalia. The film premiered at the Toronto Film Festival and went on to win wide praise. The praise leveled at the film mirrored the director’s real-life ascent into relative respectability: although he continued to dress and comport himself like a potential child molester, Waters matriculated from ‘fringie’ to one of Baltimore’s leading citizens. When audiences learned that Waters’ next project was to be a film concerning a renegade director who kidnaps a top Hollywood starlet in order to force her to act in his latest feature, advance word no doubt had audiences recalling such Waters classics as Multiple Maniacs. Edgier than Pecker but lacking the sharp satire of Serial Mom (and sadly lacking the sleazy-listening tunes that highlighted his early efforts), Cecil B. Demented ultimately fell somewhere in the middle of trash cinema purgatory; though it certainly spat in the face of traditional mainstream cinema values, it still wasn’t quite outrageous enough to be truly effective. While Cecil B. Demented may not have been the film that once again found Waters winning back his ‘Prince of Puke’ crown (that award would likely have gone to Takashi Miike at that point) it was never dull and certainly showed that the spark was still there and that Waters still had a few tricks up his sleeve. For his next effort, entitled A Dirty Shame, Waters rounded up an impressive cast that included the likes of Tracey Ullman, Johnny Knoxville, Chris Isaak, and Selma Blair. The wit, wisdom, and philosophy of John Waters has been distilled in his books Shock Value: A Tasteful Book About Bad Taste (1981) and Crackpot: The Obsession of John Waters (1986). Furthermore, those wanting additional insight into the director’s outlook would do well to check out Divine Trash, the acclaimed 1998 documentary about Waters’ life. ~ Hal Erickson, All Movie Guide

John Waters
Ekleyen: Sinemadevri
Kategori: Sanatçılar
Eklenme Tarihi: 3 Mayıs 2009
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Felicity Huffman

Sanatçı bilgileri

Adı / Soyadı: Felicity Huffman
Ülkesi: ABD
Doğum Tarihi: 09-12-1962
Mesleği: Oyuncu
Videoları: Felicity Huffman Videoları

Filmografi

Phoebe In Wonderland
Georgia Yasası
Transamerika
Helen İle Büyümek
Çılgın Yılbaşı

Biyografi

An alumni of the Royal Academy of Dramatic Arts in London, actress Felicity Huffman is one of many classically trained stage performers who have found a home on cable television. She appeared on Broadway in David Mamet’s Feed the Plow and co-founded the New York Atlantic Theater Company, along with Mamet and her husband, film actor William H. Macy.Making her feature-film debut in 1988 in Mamet’s comedy drama Things Change, Huffman continued her acting career in the world of made-for-TV movies. A few exceptions include small roles in Reversal of Fortune, Hackers, The Spanish Prisoner, and Magnolia. In 1997 she won an Obie award for her work in the off-Broadway production of David Mamet’s Cryptogram.Moving to the small-screen, Huffman was bumped up to starring status for the role of Dana Whitaker on the sitcom Sports Night, which ran from 1998 to 2000 on ABC before moving over to Comedy Central in syndication. She earned Golden Globe and Screen Actors Guild nominations for her work on that show. After Sports Night’s cancellation in 2000, Huffman had her first child, Sofia Grace, and could be seen in a string of TV movies, notably as Lady Bird Johnson in John Frankenheimer’s Path to War. She then lent her voice to Disney’s animated series Kim Possible and made appearances on Frasier, The West Wing, and Girls Club. In 2002, she had her second daughter, Georgia Grace.In 2003 Huffman was back to lead status as Lorna Colm on the Showtime original series Out of Order, also starring Eric Stoltz and husband Macy. Though the show was soon cancelled, it wouldn’t be long before Huffman was back at it with another new show. This time around, she starred in ABC’s darkly-comic primetime drama series Desperate Housewives which premiered in the Fall of 2004. That same year, she could be seen in theaters with a supporting role in the holiday comedy Christmas with the Kranks.

Felicity Huffman
Ekleyen: Sinemadevri
Kategori: Sanatçılar
Eklenme Tarihi: 10 Nisan 2009
Yorum: Yorum Yok
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